Duncan Campbell Scott - Reputation

Reputation

Scott was honoured for his writing during and after his lifetime. He was elected a Fellow of the Royal Society of Canada in 1899 and served as its president from 1921 to 1922. The Society awarded him the second-ever Lorne Pierce Medal in 1927 for his contributions to Canadian literature.

In 1934 he was made a Companion of the Order of St. Michael and St. George.

He also received honorary degrees from the University of Toronto (Doctor of Letters in 1922) and Queen's University (Doctor of Laws in 1939).

In 1948, the year after his death, he was designated a Person of National Historic Significance.

However, as the Encyclopædia Britannica points out, Scott is "best known at the end of the 20th century," not for his writing, but "for advocating the assimilation of Canada’s First Nations peoples."

As part of their Worst Canadian poll, a panel of experts commissioned by Canada's National History Society named Scott one of the Worst Canadians in the August 2007 issue of The Beaver.

Arc Poetry Magazine renamed the annual "Archibald Lampman Award" (given to a poet in the National Capital Region) to the Lampman-Scott Award in recognition of Scott's enduring legacy in Canadian poetry, with the first award under the new name given out in 2007.

The 2008 winner of the award, Shane Rhodes, turned over half of the $1,500 prize money to the Wabano Centre for Aboriginal Health, a First Nations health centre. "Taking that money wouldn't have been right, with what I'm writing about," Rhodes said. The poet was researching First Nations history and found Scott's name repeatedly referenced. Rhodes felt "Scott's legacy as a civil servant overshadows his work as a pioneer of Canadian poetry", in the words of a CBC News report.

Anita Lahey, editor of Arc Poetry Magazine, responded with a statement that she thought Scott's actions as head of Indian Affairs were important to remember, but did not eclipse his role in the history of Canadian literature. "I think it matters that we're aware of it and that we think about and talk about these things," she said. "I don't think controversial or questionable activities in the life of any artist or writer is something that should necessarily discount the literary legacy that they leave behind."

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