Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllHipHop | |
| Allmusic | |
| CANOE | |
| Entertainment Weekly | B+ |
| IGN | |
| PopMatters | |
| Rolling Stone | |
| Slant Magazine | |
| Stylus Magazine | B− |
| Virgin Media | |
The album was generally received poorly by critics; Peter Relic of Rolling Stone gave the album only 2 stars out of 5 and commented that the title was wrong because of the major presence of other artists, not The Notorious B.I.G. Relic also pointed out the appearances by artists who he believed not to contribute much substance. Andy Kellman of allmusic rated the album 2.5 out of 5. Method Man in particular was a huge critic of the album, who stated "They got niggas on that album Big would have never rocked with, for real. " He also brought up the fact that he was the only other rapper that Biggie chose to have on his debut album Ready To Die. Eminem, Obie Trice, Faith Evans, Snoop Dogg, Akon, R. Kelly, Fat Joe, Nas, Mary J. Blige, P Diddy, Nelly, Jagged Edge, Charlie Wilson, Cheri Dennis, Bobby Valentino, Big Pun, Lil Wayne, Jim Jones, Juelz Santana, Bob Marley, Scarface, Jay-Z, Clipse, Korn, Krayzie Bone, Ludacris, The Game, Mobb Deep, Slim Thug, T.I., Big Gee, and Missy Elliott appear on the album.
Read more about this topic: Duets: The Final Chapter
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)