Culture
Dubuque has several buildings on the National Register of Historic Places. The Fourth Street Elevator is located in Downtown Dubuque. This elevator, which is the shortest and steepest railroad in existence, takes passengers up and down one of the large bluffs that dominate the city. Also, the Dubuque County Courthouse, with its Beaux-Arts architecture, is on the register. The Julien Dubuque Bridge is a National Historic Landmark, as is the Shot Tower, which was used to produce lead shot and is one of the few such towers left in existence. Dubuque's Linwood Cemetery is noted for a number of famous people buried there, and the Dubuque Arboretum and Botanical Gardens have won a number of awards. There are a number of notable parks, particularly Eagle Point Park and the Mines of Spain State Recreation Area.
Dubuque's waterfront features the Ice Harbor, where the Diamond Jo Casino and William M. Black are based. Recently the National Mississippi River Museum and Aquarium, the Grand Harbor Resort and Waterpark, and the Grand River Event Center have been built just north of the Ice Harbor. Land for this project was acquired from several businesses through condemnation of their properties under eminent domain.
Dubuque is also the home of the Colts Drum and Bugle Corps. The Colts are a Drum Corps International Division I ensemble and tour the country each summer to attend drum corps competitions. Each summer the Colts and Dubuque host "Music on the March," a Drum Corps International-sanctioned marching competition at Dubuque Senior High School. Dubuque is the second-smallest city in the nation to support a Division I drum corps.
The movies F.I.S.T. and Take This Job and Shove It were filmed in Dubuque as well as various scenes from Field of Dreams. About 25 miles west of the city is the town of Dyersville, Iowa. Dyersville is the home of the Basilica of St. Francis Xavier and of the Field of Dreams movie site.
Read more about this topic: Dubuque, Iowa
Famous quotes containing the word culture:
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)
“The treatment of African and African American culture in our education was no different from their treatment in Tarzan movies.”
—Ishmael Reed (b. 1938)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)