Dreams (M*A*S*H) - Dreams

Dreams

  • Margaret Houlihan takes a nap in her tent. The dream sequence begins with the door opening and white light spilling through. Houlihan finds herself in a wedding gown. She steps outside to find herself in an open field with a handsome, dark-haired civilian in a tuxedo, and an ornate bed. She is elated as she and the man kiss each other on the bed. That is short-lived, however, as a line of soldiers comes along and marches past the bed. The stranger bluntly gets up and gets in line and step with the soldiers. A dismayed Houlihan stares at the departing procession, then turns back to the bed to see a wounded and bloody soldier lying next to her. Soon there are three wounded soldiers. The sequence ends with Houlihan standing alone in the field, with her hands and gown covered in blood.
  • B.J. Hunnicutt falls asleep in Post-Op holding a photograph of his wife, Peg. His dream converts Post-Op to a ballroom, where he waltzes with Peg (played by Catherine Bergstrom) in an elegant evening dress to the second waltz of Tausend und eine Nacht Op. 346 by Johann Strauss II. Together they dance their way into the OR, where Potter hands Hunnicutt a scalpel, and Hunnicutt silently turns away from Peg and instinctively proceeds to operate. With an expression of heartbroken regret, Peg follows two other men back to the ballroom.
  • Sherman T. Potter has the least distressing dream in the episode. He dozes off at his desk, and is roused by his horse, Sophie, who enters the room in full saddle and bridle. He grabs his hat and mounts Sophie, riding into an open field. A pair of Koreans in the shrubbery throw a grenade at Potter, who effortlessly knocks it away with a polo mallet, resulting in a spectacular fireworks display. Potter then comes upon a familiar site: his childhood home. A younger Sherman Potter is riding on a horse outside, and a female voice is calling him to dinner. At this point, Klinger abruptly awakens Potter, much to his regret; "It's been a long time since I've tasted one of her homemade muffins."
  • Charles Winchester is asleep in a room near the OR, when the curtains rise and he finds himself dressed as a stage magician. He is greeted with applause, chiefly from the staff, as he enters the OR. He proceeds with a standard stage magic act, but his attention (and soon everyone's) is drawn to a gasping patient in the front row. Winchester attempts a progressively flashier performance, but to his horror, none of his charade does anything to improve the condition of the patient (alternatively, his inaction makes it worse). The dream ends with Winchester dancing with a pair of sparklers, with the crowd looking upon him as a fool.
  • Father Mulcahy loses consciousness while listening to a confession from a patient. As he nods off, the patient's words turn to gibberish. In his dream, Mulcahy is dressed as the Pope, and carried in the Holy Father's ceremonial chair to the mess hall, where he is met by the praises and adoration of the staff. In awe, he ascends to the pulpit at the front of the room. Mulcahy blesses the people and motions to them to sit down, and opens his Bible. He sees blood dripping onto the pages, so he looks up. The camera only reveals the feet of Jesus Christ on the crucifix above the pulpit. Mulcahy looks back at his Bible, then up again to find that Christ is replaced with a soldier. He turns to the crowd in front of him; all have resumed their normal tasks of operating, seemingly oblivious to his presence.
  • Maxwell Klinger sneaks off to the supply room to take a nap. In his dream, the supply room is shaking, and a conductor's voice announces a train's arrival in Toledo. Klinger exits the supply room to find himself in the streets of his hometown. The streets are empty and desolate. He approaches Tony Packo's Cafe -- one of his favorite Toledan haunts—and wipes away the dust on the front window, only to see the OR back at the MASH. Potter spots Klinger and motions for him to come in. The patient he is operating on turns his head to the surprised Klinger, revealing himself to be on the table. Nurse Kellye wakes Klinger up abruptly with a message from Potter, but he responds with glee that he is alive.
  • Hawkeye Pierce dozes off in the mess hall, and undergoes the classic nightmare of being subject to a test he didn't study for (reattaching a limb). The professor instructs Pierce to remove both his arms (aided by Winchester, who was sitting next to him), which are promptly thrown away. The scene shifts to a lake full of mannequins' arms and legs, with an armless Pierce in a rowboat. He lands ashore, where a Korean child with a belly wound is waiting on an operating table. He is offered a scalpel and hears the iconic sound of approaching helicopters, which causes him to scream in frustration. At that point, Pierce wakes up to the sound of real helicopters bringing more wounded.

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Famous quotes containing the word dreams:

    “A man,” said Oliver Cromwell, “never rises so high as when he knows not whither he is going.” Dreams and drunkenness, the use of opium and alcohol are the semblance and counterfeit of this oracular genius, and hence their dangerous attraction for men. For the like reason they ask the aid of wild passions, as in gaming and war, to ape in some manner these flames and generosities of the heart.
    Ralph Waldo Emerson (1803–1882)

    Either we have no dreams or we have interesting ones.—We need to learn to be awake in the same way:—either not at all or in an interesting way.
    Friedrich Nietzsche (1844–1900)

    While I wrought out these fitful Danaan rhymes,
    My heart would brim with dreams about the times
    When we bent down above the fading coals
    And talked of the dark folk who live in souls
    Of passionate men, like bats in the dead trees....
    William Butler Yeats (1865–1939)