DRB Class 52 - Gallery

Gallery

  • DB 52 4867 at the Eisenbahnmuseum Kranichstein (2005)

  • DB 52 4867 of the Historische Eisenbahn Frankfurt e.V. (2004)

  • Soviet TЭ-5200 in Tashkent, Uzbekistan (2003)

  • Austrian (ÖBB) 52 6084, at Graz shed (summer 1971)

  • Austrian (ÖBB) 52 class rebuilt with tender cab and Giesl ejector, Graz shed (summer 1971)

  • 52 class as running after the War on PKP as class Ty2 (August 1976)

  • Reconstructed DR 52 8177-9 in Dresden (2003)

  • Reconstructed DR 52 8109-2 in Weimar (2003)

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal, St.Petersburg

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Freight steam locomotive ТЕ 6769 at Varshavsky Rail Terminal

  • Russian locomotive class TE 5415 at the Moscow Railway Museum at Rizhsky Rail Terminal

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Famous quotes containing the word gallery:

    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
    Thomas Henry Huxley (1825–95)

    Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.
    Henry David Thoreau (1817–1862)

    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
    Lewis H. Lapham (b. 1935)