Dragon Warrior Monsters - Reception

Reception

Reviews
Aggregate scores
Aggregator Score
GameRankings 79.81 out of 100
Review scores
Publication Score
Electronic Gaming Monthly 7.62 out of 10
Game Informer 8 out of 10
GameSpot 8.7 out of 10
IGN 9 out of 10
Nintendo Power 7.2 out of 10

In Japan, Dragon Warrior Monsters sold 2.35 million copies. The North American version sold 60,000 copies by April 2000.

Dragon Warrior Monsters received mostly positive reviews, receiving an average score of 78.9% from Game Rankings based on 12 reviews. The game was compared to Pokémon by critics because of its similar gameplay, many telling fans to play the game as a means of waiting for the release of Pokémon Gold and Silver. GameSpot.com praised the game's visuals, music, and gameplay, stating that the game "may not have the cutesy, over-merchandised appeal of Pokémon, but the rock-solid gameplay makes it a worthwhile endeavor." IGN stated that Dragon Warrior Monsters features many of Pokémon's mechanics, "but better," commenting on the game's large cast of monsters and battles. However, IGN also made a distinction between the two games, saying that Pokémon's ability to capture any wild Pokémon with a Poké Ball as opposed to taming monsters was a better idea.

RPGFan.com reviewed the game, mentioning that the game's 215 monsters gave the game a large amount of depth, and that the "bulk and the most fun aspect of the game is catching monsters and breeding them to get more powerful monsters." Gaming-Age.com similarly pointed out that the breeding aspect of Dragon Warrior Monsters set it apart from other monster-catching games, noting that its monsters "don't quite have the extra 'omph' that the Pokemon creatures do", but that "none of the creatures are so super cutesy that they begin to get on your nerves."

Read more about this topic:  Dragon Warrior Monsters

Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)