Drag in The Performing Arts
There is a long history of drag in the performing arts, spanning a wide range of cultural as well as artistic traditions.
Drag in the theatre arts manifests two kinds of phenomenon. One is cross-dressing in the performance, which is part of the social history of theatre. The other is cross-dressing within the theatrical fiction (i.e. the character is a cross-dresser), which is part of literary history.
Drag is usually played for comic effect. Examples include the Monty Python Women and Tony and Jack (Curtis and Lemmon) in Some Like It Hot.
Read more about this topic: Drag (clothing)
Famous quotes containing the words performing arts, drag, performing and/or arts:
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“Executives are like joggers. If you stop a jogger, he goes on running on the spot. If you drag an executive away from his business, he goes on running on the spot, pawing the ground, talking business. He never stops hurtling onwards, making decisions and executing them.”
—Jean Baudrillard (b. 1929)
“When performing an autopsy, even the most inveterate spiritualist would have to question where the soul is.”
—Anton Pavlovich Chekhov (1860–1904)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (1874–1946)