Drag in The Performing Arts
There is a long history of drag in the performing arts, spanning a wide range of cultural as well as artistic traditions.
Drag in the theatre arts manifests two kinds of phenomenon. One is cross-dressing in the performance, which is part of the social history of theatre. The other is cross-dressing within the theatrical fiction (i.e. the character is a cross-dresser), which is part of literary history.
Drag is usually played for comic effect. Examples include the Monty Python Women and Tony and Jack (Curtis and Lemmon) in Some Like It Hot.
Read more about this topic: Drag (clothing)
Famous quotes containing the words performing arts, drag, performing and/or arts:
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“Keeping up with the Joneses was a full-time job with my mother and father. It was not until many years later when I lived alone that I realized how much cheaper it was to drag the Joneses down to my level.”
—Quentin Crisp (b. 1908)
“Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate,—and meantime it is only puss and her tail.”
—Ralph Waldo Emerson (1803–1882)
“... the creator of the new composition in the arts is an outlaw until he is a classic.”
—Gertrude Stein (1874–1946)