Down To The Sea in Ships - Production

Production

Directed by Elmer Clifton, the film's title comes from the Bible, Psalms 107, verses 23-24. It contains semi-documentary footage of whalers at work, and was shot on historic locations in New England, most notably in New Bedford, Massachusetts. The film's title cards are notable for having quotes from Moby-Dick and Joseph Conrad.

The authenticity of the whaling scenes are noted in the opening screen credits, which praise the bravery of both A.G. Penrod and Paul H. Allen, the cameramen, "who, in small boats, stood by their cameras at the risk of their lives to photograph the fighting whales."

The Charles W. Morgan was one of the whaling ships used in the film.

Read more about this topic:  Down To The Sea In Ships

Famous quotes containing the word production:

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.
    John Dewey (1859–1952)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)