Recording and Production
Minutemen originally recorded an "album's worth of material" with James in November 1983 in Radio Tokyo Studios. However, after hearing labelmates Hüsker Dü double album Zen Arcade (1984), which had been recorded a month earlier, Minutemen decided to write more material. Watt later commented: "It wasn't really a competition even. When I wrote 'Take that Hüskers!" in it was acknowledging that they gave us the idea to make a double album." Unlike Hüsker Dü's Zen Arcade, Minutemen did not have a unifying concept, but soon decided that the record's concept would be their cars.
The band wrote almost two dozen more songs for a second recording session with James in April 1984. Double Nickels on the Dime was then mixed on a single eight-track in one night by James and cost $1,100 to record. Several songs on the album were recorded elsewhere; a studio-recorded cover of Creedence Clearwater Revival's "Don't Look Now" was replaced with a live version of the song, and according to Watt, "Love Dance" was written at Ian MacKaye's Dischord House.
For sequencing, the band decided that each band member would be allocated a side of the record, an arrangement inspired by Pink Floyd's 1969 double album Ummagumma. The band drew straws to select songs; Hurley won the draw and decided to pick his solo track "You Need the Glory", followed by Boon and Watt. The fourth side of the record was named "Side Chaff", an admission that the songs present were the leftover songs.
Read more about this topic: Double Nickels On The Dime
Famous quotes containing the words recording and/or production:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (18171862)
“Every production of an artist should be the expression of an adventure of his soul.”
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