Dorothy Richardson - Writing

Writing

In a review of Pointed Roofs (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term interior monologue. Pointed Roofs was the first volume in a sequence of 13 novels titled Pilgrimage. Miriam Henderson, the central character in Pilgrimage, is based on author's own life between 1891 and 1915.

Richardson is also an important feminist writer, because of the way her work assumes the validity and importance of female experiences as a subject for literature. Her wariness of the conventions of language, her bending of the normal rules of punctuation, sentence length, and so on, are used to create a feminine prose, which Richardson saw as necessary for the expression of female experience. Virginia Woolf in 1923 noted, that Richardson "has invented, or, if she has not invented, developed and applied to her own uses, a sentence which we might call the psychological sentence of the feminine gender."

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Famous quotes containing the word writing:

    In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,—can go far and live long.
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    Good writing is a kind of skating which carries off the performer where he would not go, and is only right admirable when to all its beauty and speed a subserviency to the will, like that of walking, is added.
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