Later Career
On New Years Day 1956, she appeared with John Ericson in the episode "Mutiny" of CBS's Appointment with Adventure. She guest-starred on NBC's 1958-1959 western series, Cimarron City.
During the 1963-1964 season, Malone guest starred on ABC's circus drama The Greatest Show on Earth, starring Jack Palance. From 1964-1968, she played the lead role of Constance MacKenzie on the ABC prime time serial Peyton Place except for a brief stretch where she was absent due to surgery. Lola Albright filled in until her return. In 1968, she was written out of the show after complaining that she was given little to do, especially in light of the show's concentration on the love story between young leads Mia Farrow and Ryan O'Neal. Malone sued 20th Century-Fox for $1.6 million for breach of contract; it was settled out of court. She would later return to the role in the TV movies Murder in Peyton Place (1977) and Peyton Place: The Next Generation (1985). Malone had a featured role in the miniseries Rich Man, Poor Man (1976). In her last screen appearance, she played a mother convicted of murdering her family in Basic Instinct (1992) with Michael Douglas and Sharon Stone.
Dallas producers approached Malone to step into the role of Miss Ellie Ewing when Barbara Bel Geddes vacated the role in 1984. She declined.
Read more about this topic: Dorothy Malone
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)