Writing
Themes in Allison's work include class struggle, child and sexual abuse, women, lesbianism, feminism, and family.
Allison's first novel, the semi-autobiographical Bastard Out of Carolina, was published in 1992 and was one of five finalists for the 1992 National Book Award. Graphic in its depiction of Southern poverty, family ties, illegitimacy, child abuse, and rape, Bastard went on to win the Ferro Grumley and Bay Area Reviewers Award for fiction. The novel has been translated into over a dozen languages. A film version, directed by Anjelica Huston, premiered in 1996 on Showtime amid some controversy for its disturbing content. The film was banned by Canada's Maritime Film Classification Board, both theatrically and in video release.
Cavedweller, Allison's second novel, was published in 1998 and became a New York Times bestseller. It won the 1998 Lambda Literary Award for fiction and was a finalist for the Lillian Smith Prize. Cavedweller has been adapted for the stage and screen, most notably in the 2004 film starring Kyra Sedgwick and Kevin Bacon, directed by Lisa Cholodenko.
Her influences include Toni Morrison, Bertha Harris, and Audre Lorde. Allison says The Bluest Eye helped her to write about incest. In 1975, Allison took a class from Harris at Sagaris, a feminist theory institute in Plainfield, Vermont. Harris told her to be "honest and fearless, especially when writing about lesbianism". In the early 1980s, Allison met Lorde at a poetry reading. After reading what would eventually become her short-story "River of Names," Lorde approached her and told her that she simply must write.
Read more about this topic: Dorothy Allison
Famous quotes containing the word writing:
“In the course of writing one historical book or another, it has happened that I could hardly restrain myself from simply copying entire documents. Indeed, I sometimes sank down among the documents and said to myself, I can’t improve on these.”
—Alfred Döblin (1878–1957)
“One could see that what you are writing was that today’s meeting with President Bill Clinton was going to be a disaster. Now for the first time, I can tell you that you’re a disaster.”
—Boris Yeltsin (b.1931)
“Hidden away amongst Aschenbach’s writing was a passage directly asserting that nearly all the great things that exist owe their existence to a defiant despite: it is despite grief and anguish, despite poverty, loneliness, bodily weakness, vice and passion and a thousand inhibitions, that they have come into being at all. But this was more than an observation, it was an experience, it was positively the formula of his life and his fame, the key to his work.”
—Thomas Mann (18751955)