Television and Film Career
Roberts' acting career began in 1952 with a role on the TV series Studio One. She appeared in episodes of The Naked City (1958–63), Way Out (1961), Ben Casey (1963), and The Defenders (1962–63).
In 1961, she made her film debut in Something Wild. She appeared in such 1960s and 1970s cult films as A Lovely Way to Die, No Way to Treat a Lady, The Honeymoon Killers, Such Good Friends, Little Murders, A New Leaf and The Taking of Pelham One Two Three. In 1978, she appeared in a film about John F. Kennedy's assassination, Ruby and Oswald, in which she played Jack Ruby's sister. She also appeared very briefly in The Rose, as the mother of the title character (played by Bette Midler).
In an interview with the Archive of American Television, Rue McClanahan confirmed that in 1972 she was approached by Norman Lear during the taping of an All In The Family episode to be a late replacement for Roberts, who was originally intended for the role of Vivian in Maude.
She has usually been cast as a mother or mother-in-law on television, i.e. as Theresa Falco on Angie. She later appeared as Mildred Krebs on Remington Steele. After that show ended, she starred in the TV movie remake of If It's Tuesday, It Still Must Be Belgium (1987) and the National Lampoon's Christmas Vacation (1989). She appeared on Alice, playing the mother of the title character (played by her former Broadway co-star Linda Lavin), on Barney Miller as the wife of a man who secretly went to a sex surrogate, and on Full House as Danny Tanner's mother. She played the unhinged "Flo Flotsky" on four episodes of Soap, and played lonely Aunt Edna on Step by Step.
Read more about this topic: Doris Roberts
Famous quotes containing the words television and, television, film and/or career:
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)