Don't Let Me Be The Last To Know - Composition

Composition

"Don't Let Me Be the Last to Know" is a teen pop ballad that lasts for three minutes and fifty seconds. The song is composed in the key of E major and is set in time signature of common time with a tempo of 76 beats per minute, and Spears' vocal range spans from the low-note of F♯3 to the high-key of D♯5. A NME staff reviewer said that the song takes the riff of David Bowie and Iggy Pop's "China Girl" (1983) and "puts it over schmaltzy cocktail-hour bass and love film strings." Tom Terrell of MTV, however, compared the riff to the one of A Taste of Honey's cover of "Sukiyaki" (1981). Terrell further commented that the "Eagles-esque chorus" features "an '80s hair band power ballad groove" where "Britney soul-maxes with a vocal that channels both Stevie Wonder (via "Knocks Me Off My Feet") and Shania herself."

Stephanie McGrath of Jam! said the song is "a nice break from the 'baby babys', 'yeah yeahs' and insistent drum beats that pepper the other songs" of Oops! . David Veitch of Calgary Sun compared the backing vocals to "nicely old-fashioned shoo-be-doo-doos". Lyrically, "Don't Let Me Be the Last to Know" alludes to how Spears wants to hear her boyfriend say he needs her all the way and that he loves her. Spears considered it a "pure and delicate" song. "It's just one of those songs that pull you in. That's why I like it, and I like singing it as well," she continued. "I think they wrote it 'specially for me, because the lyrics of the song, if you really listen... they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying."

Read more about this topic:  Don't Let Me Be The Last To Know

Famous quotes containing the word composition:

    Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)