Composition
"Don't Let Me Be the Last to Know" is a teen pop ballad that lasts for three minutes and fifty seconds. The song is composed in the key of E major and is set in time signature of common time with a tempo of 76 beats per minute, and Spears' vocal range spans from the low-note of F♯3 to the high-key of D♯5. A NME staff reviewer said that the song takes the riff of David Bowie and Iggy Pop's "China Girl" (1983) and "puts it over schmaltzy cocktail-hour bass and love film strings." Tom Terrell of MTV, however, compared the riff to the one of A Taste of Honey's cover of "Sukiyaki" (1981). Terrell further commented that the "Eagles-esque chorus" features "an '80s hair band power ballad groove" where "Britney soul-maxes with a vocal that channels both Stevie Wonder (via "Knocks Me Off My Feet") and Shania herself."
Stephanie McGrath of Jam! said the song is "a nice break from the 'baby babys', 'yeah yeahs' and insistent drum beats that pepper the other songs" of Oops! . David Veitch of Calgary Sun compared the backing vocals to "nicely old-fashioned shoo-be-doo-doos". Lyrically, "Don't Let Me Be the Last to Know" alludes to how Spears wants to hear her boyfriend say he needs her all the way and that he loves her. Spears considered it a "pure and delicate" song. "It's just one of those songs that pull you in. That's why I like it, and I like singing it as well," she continued. "I think they wrote it 'specially for me, because the lyrics of the song, if you really listen... they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying."
Read more about this topic: Don't Let Me Be The Last To Know
Famous quotes containing the word composition:
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (1806–1861)
“It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!”
—Thomas Chatterton (1752–1770)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)