Don't Be Afraid of The Dark (1973 Film) - Plot

Plot

Sally Farnham and her husband Alex inherit an old mansion from Sally's recently deceased grandmother. Shortly after moving in, she discovers a bricked-up fireplace in the basement den, and asks the estate's handyman, Mr. Harris, about it. He tells her that Sally's grandmother had him seal it up after her grandfather died and that it is better to leave it the way it is. After he leaves for the day and Sally is alone in the room, she uses some of Mr. Harris' tools to try to remove the bricks herself. She is unable to budge the bricks, but is able to pry open a small side door that Mr. Harris had said was used for removing ashes from the fireplace. Inside is not a fireplace at all but a large, dark, deep sub-basement. As Sally leaves the den, several whispering voices are heard coming from behind the fireplace, calling her name.

Sally soon begins to feel unsettled in the house. One night while sleeping, she is woken by voices whispering her name, and an ashtray mysteriously falls off her bedside cabinet. However, Alex dismisses her concerns and believes she is suffering from nervous tension. The next evening, when she is alone in the house, something grabs her dress as she is walking down the stairs and she hears voices whispering "We want you". She manages to free herself and sees something scuttling away behind a curtain, which she believes was a small animal of some kind. Soon afterwards, she hears the same whispering coming from behind the fireplace in the basement den. When Alex returns home, he remains unconvinced of her story, but makes sure the fireplace is bolted securely shut to reassure her.

The following night, Sally throws a dinner party for Alex's work colleagues as he is up for partnership at his law firm. During the party, Sally sees a small, hideous goblin-like creature near her leg under the dinner table. She screams, but nobody believes what she saw as the creature quickly vanishes. Alex grows impatient with her and thinks she is becoming delusional. Later, while Sally is in the shower, three of the goblin creatures make their way into the bathroom and turn out the lights so that they can attack her with a razor. As Sally turns the light back on, the creatures shriek and retreat from the brightness into the bathroom cupboards where they disappear. Sally then tells Alex that they should sell the house.

The following day, Alex goes away on business and Sally arranges to go and stay with her friend Joan. However, before she goes, the creatures attempt to trip Sally down a flight of stairs, but they accidentally cause the death of her interior decorator instead. Sally tries to confront the creatures and asks them what they want, to which they reply they want her spirit as whoever frees them (as Sally did by opening the fireplace) must become one of them.

That evening, Sally's doctor prescribes sedatives while her friend Joan stays with her. Joan begins to believe Sally's story about supernatural creatures in the house. Returning early from his trip, Alex, however, remains unconvinced. Alex then leaves to speak with their handyman regarding the history of the house and the truth behind the bricked up fireplace and Sally's grandfather. While Sally tries to stay awake after the creatures put the sedatives into her coffee, the electricity is cut by the creatures and Joan is locked outside by them while checking on the circuit breaker box. Sally manages to walk downstairs, but the creatures trip her over in the dark. As she is semi-conscious, they then drag her into the basement den and into the unsealed fireplace before Alex and Joan can reach her. The film concludes with Sally and the creatures speaking to each other, patiently waiting for their next victim to move into the house, leaving the audience to assume that Sally has been turned into one of the creatures.

Read more about this topic:  Don't Be Afraid Of The Dark (1973 Film)

Famous quotes containing the word plot:

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)

    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
    —E.M. (Edward Morgan)

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)