Early Career
While travelling on the ship to America in 1906, Crisp's singing talents during a ship's concert caught the attention of opera impresario John C. Fisher, who immediately offered him a job with his company. He spent his first year in New York in Grand Opera and the following year as a stage director. It was while touring with the company in the United States and Cuba that Crisp first became interested in pursuing a career in the theatre. By 1910, Crisp, now using the name Donald (he retained George as a middle name), was working as a stage manager for the renowned entertainer, composer, playwright and director George M. Cohan. It was during this time he met and befriended film director D.W. Griffith. When Griffith ventured west, to seek his fortune in Hollywood in 1912, Crisp accompanied him.
From 1908 to 1930, Crisp, in addition to directing dozens of films, also appeared in nearly 100 silent films, though many in bit or small parts. One notable exception was his casting by Griffith as General Ulysses S. Grant in Griffith's landmark film The Birth of a Nation in 1915. Another was his role in Griffith's 1919 film Broken Blossoms, as "Battling Burrows", the brutal and abusive father of the film's heroine, Lucy Burrows (played by Lillian Gish).
Read more about this topic: Donald Crisp
Famous quotes containing the words early and/or career:
“It is not too much to say that next after the passion to learn there is no quality so indispensable to the successful prosecution of science as imagination. Find me a people whose early medicine is not mixed up with magic and incantations, and I will find you a people devoid of all scientific ability.”
—Charles Sanders Peirce (1839–1914)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)