Famous quotes containing the words don quixote, don, quixote, unfinished, film, television and/or project:
“When you think of the huge uninterrupted success of a book like Don Quixote, you’re bound to realize that if humankind have not yet finished being revenged, by sheer laughter, for being let down in their greatest hope, it is because that hope was cherished so long and lay so deep!”
—Georges Bernanos (1888–1948)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“I wonder, Diz, if this Don Quixote hasn’t got the jump on all of us. Wonder if it isn’t a curse to go wised up like you and me.”
—Sidney Buchman (1902–1975)
“A proper autobiography is a death-bed confession. A true man finds so much work to do that he has no time to contemplate his yesterdays; for to-day and to-morrow are here, with their impatient tasks. The world is so busy, too, that it cannot afford to study any man’s unfinished work; for the end may prove it a failure, and the world needs masterpieces.”
—Mary Antin (1881–1949)
“A film is a petrified fountain of thought.”
—Jean Cocteau (1889–1963)
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)
“The trenchant editorials plus the keen rivalry natural to extremely partisan papers made it necessary for the editors to be expert pugilists and duelists as well as journalists. An editor made no assertion that he could not defend with fists or firearms.”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)