Don Juan's Reckless Daughter is a 1977 double album by the folk/pop/rock musician Joni Mitchell. It is unusual for its experimental style, expanding even further on the jazz fusion sound of Mitchell's Hejira from the year before. Mitchell has stated that, close to completing her contract with Asylum Records, she allowed this album to be looser than anything she'd done previously.
Don Juan's Reckless Daughter was released in December 1977 to mixed reviews, but managed to peak at #25 on the Billboard charts and attained gold record status within three months.
Read more about Don Juan's Reckless Daughter: Experimentation, Cover, Track Listing, Personnel
Famous quotes containing the words don juan, don, juan, reckless and/or daughter:
“Rather would I have the love songs of romantic ages, rather Don Juan and Madame Venus, rather an elopement by ladder and rope on a moonlight night, followed by the father’s curse, mother’s moans, and the moral comments of neighbors, than correctness and propriety measured by yardsticks.”
—Emma Goldman (1869–1940)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“Is that the Craig Jurgesen that Teddy Roosevelt gave you?... And you used it at San Juan Hill defending liberty. Now you want to destroy it.”
—Laurence Stallings (1894–1968)
““Oh, let’s go up the hill and scare ourselves,
As reckless as the best of them tonight,
By setting fire to all the brush we piled
With pitchy hands to wait for rain or snow....””
—Robert Frost (1874–1963)
“Insults from an adolescent daughter are more painful, because they are seen as coming not from a child who lashes out impulsively, who has moments of intense anger and of negative feelings which are not integrated into that large body of responses, impressions and emotions we call ‘our feelings for someone,’ but instead they are coming from someone who is seen to know what she does.”
—Terri Apter (20th century)