Film Career
Her first screen appearance was at the age of 10, when she appeared briefly in Frank Capra’s It Happened One Night.
According to Fuller, the female lead in Bride of the Monster was written for her but Wood gave it to Loretta King instead. King denied the allegation.
In August 1954, Fuller was cast in Wood's The Vampire's Tomb, intended to star Bela Lugosi. Frank Yaconelli was named as her co-star and 'comic killer'. The film was never made. She ended up making a cameo appearance in Bride of the Monster (1956), also with Lugosi. Fuller hosted a benefit for Lugosi which preceded the showing of Bride of the Atom (early working title of Bride of the Monster) on May 11, 1955. A cocktail party was held at the Gardens Restaurant at 4311 Magnolia Avenue in Burbank, California. Vampira attended and was escorted by Paul Marco. A single screening of the film was presented at the Hollywood Paramount.
According to Fuller, as quoted in Wood biography Nightmare of Ecstasy (1992), she first met Ed Wood when she attended a casting call with a friend for a movie he was supposed to direct called Behind Locked Doors: it has also been stated that they met in a restaurant. She became his girlfriend shortly thereafter and began acting in his films.
Her movie career included a bit part in It Happened One Night (1934) and roles in Outlaw Women (1952), Glen or Glenda (1953), Body Beautiful (1953), The Blue Gardenia (1953), Count the Hours (1953), Mesa of Lost Women (1953), College Capers (1954), Jail Bait (1954), The Raid (1954), This Is My Love (1954), The Opposite Sex (1956), The Ironbound Vampire (1997), and Dimensions in Fear (1998).
Read more about this topic: Dolores Fuller
Famous quotes containing the words film and/or career:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)