Dolores Fuller - Film Career

Film Career

Her first screen appearance was at the age of 10, when she appeared briefly in Frank Capra’s It Happened One Night.

According to Fuller, the female lead in Bride of the Monster was written for her but Wood gave it to Loretta King instead. King denied the allegation.

In August 1954, Fuller was cast in Wood's The Vampire's Tomb, intended to star Bela Lugosi. Frank Yaconelli was named as her co-star and 'comic killer'. The film was never made. She ended up making a cameo appearance in Bride of the Monster (1956), also with Lugosi. Fuller hosted a benefit for Lugosi which preceded the showing of Bride of the Atom (early working title of Bride of the Monster) on May 11, 1955. A cocktail party was held at the Gardens Restaurant at 4311 Magnolia Avenue in Burbank, California. Vampira attended and was escorted by Paul Marco. A single screening of the film was presented at the Hollywood Paramount.

According to Fuller, as quoted in Wood biography Nightmare of Ecstasy (1992), she first met Ed Wood when she attended a casting call with a friend for a movie he was supposed to direct called Behind Locked Doors: it has also been stated that they met in a restaurant. She became his girlfriend shortly thereafter and began acting in his films.

Her movie career included a bit part in It Happened One Night (1934) and roles in Outlaw Women (1952), Glen or Glenda (1953), Body Beautiful (1953), The Blue Gardenia (1953), Count the Hours (1953), Mesa of Lost Women (1953), College Capers (1954), Jail Bait (1954), The Raid (1954), This Is My Love (1954), The Opposite Sex (1956), The Ironbound Vampire (1997), and Dimensions in Fear (1998).

Read more about this topic:  Dolores Fuller

Famous quotes containing the words film and/or career:

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)