Dodge C Series

Dodge C Series

The C Series was a line of pickup trucks sold by Chrysler's Dodge division from 1954 to 1960. It replaced the Dodge B Series of trucks and was eventually supplanted by the Dodge D Series, introduced in 1961.

Unlike the B Series, which were closely related to Dodge's prewar trucks, the C Series was a complete redesign. Dodge continued the "pilot house" tradition of high-visibility cabs with a wraparound windshield introduced in 1955. A two-speed "PowerFlite" automatic transmission was newly available that year.

Chrysler called the Hemi-powered Dodge trucks "Power Giant" in 1957, and introduced power steering and brakes, a three-speed automatic, and a 12-volt electrical system.

A flat-sided (and thus wider) "Sweptline" cargo box came in 1959. The company also adopted the standard pickup truck numbering scheme, also used by Ford and GM at that time. Thus, the ½ ton Dodge was now called the D100. A traditional separate-fender body "Utiline" version was also built which had a GVWR of 9,000 lb (4,100 kg).

Engines (light-duty):

  • 1957-1960; Flathead I6, 120 hp (89 kW)
  • 1969; 241 in³ Red Ram V8, 133 hp (99 kW)
  • 1959; 331 in³ FirePower V8, 172 hp (128 kW)
  • 1957-1959; 315 in³ Red Ram V8, 204 hp (152 kW)
  • 1959; 318 in³ A-type V8, 200 hp (150 kW)

Read more about Dodge C Series:  Medium-Duty/Heavy-Duty C Series

Famous quotes containing the words dodge and/or series:

    I’m a very smart guy. I haven’t a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whisky, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops ... I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you’ll think of me, I’ll just leave one of my cards in case anything comes up.
    Raymond Chandler (1888–1959)

    Through a series of gradual power losses, the modern parent is in danger of losing sight of her own child, as well as her own vision and style. It’s a very big price to pay emotionally. Too bad it’s often accompanied by an equally huge price financially.
    Sonia Taitz (20th century)