Documentary Theatre in Practice
The basic tension of documentary theater is the battle of the actual versus the fictive. The playwright has their audience captivated; with the ability to show whatever side they want during the performance. While documentary theater playwrights have a responsibility to the truth, sometimes their involvement in the project makes them biased. A question of whether or not objectivity is attainable is substantial in the evaluation of documentary theater.
Read more about this topic: Documentary Theatre
Famous quotes containing the words documentary, theatre and/or practice:
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
—Dame Alice Markova (b. 1910)
“Children also need opportunities to practice being less than perfect. They can afford to be ill tempered with us because it is our love that is most constant. This is the essence of unconditional love.... Our steadfast love provides a safe haven.”
—Cathy Rindner Tempelsman (20th century)