Eric A. "Doc" Hammer is an American musician, actor, film and television writer, voice actor, and painter. He performed in the gothic rock bands Requiem in White from 1985 to 1995 and Mors Syphilitica from 1995 to 2002, both with his then-wife Lisa Hammer. His film credits include a number of Lisa's projects—released through their own production company Blessed Elysium—in which he participated as a writer, actor, composer, designer, and visual effects artist. He also composed the music for the 1997 film A, B, C... Manhattan. He and Christopher McCulloch are the co-creators, writers, and editors of the animated television series The Venture Bros. (2004–present), in which Hammer voices several recurring characters including Billy Quizboy, Henchman 21, Doctor Girlfriend, and Dermott Fictel. The show is produced through Hammer and McCulloch's company Astro-Base Go. Hammer is also the singer, guitarist, and songwriter of the band Weep, which formed in 2008.
Hammer was born in Ledyard, Connecticut. He adopted the pseudonym "Doc" in the mid-2000s. He has stated that his hair naturally grows in both black and blonde, a condition he attributes to "a pigmentation problem or a birthmark or something. But my hair is naturally like this... Kinda. Because my eyebrows are black, I used to dye my whole head that color. Also, I used to enjoy looking like Dracula for some asinine reason." He suffers from Ménière's disease, a disorder of the inner ear that can affect hearing and balance. He is a self-taught oil painter.
Famous quotes containing the words doc and/or hammer:
“The 5307th has collapsed. From a medical viewpoint, they’re finished as a fighting unit.... I have never seen human beings in such condition. They’re drained, physically and psychologically drained. I’m not tagging them for specific ailments. I’m simply marking every man in the outfit A.O.E.—accumulation of everything.”
—Samuel Fuller, U.S. screenwriter, and Milton Sperling. Samuel Fuller. Doc (Andrew Duggan)
“In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.”
—Ernest Hemingway (1899–1961)