Do Re Mi (musical) - Songs

Songs

Act I
  • "Waiting, Waiting" – Kay Cram
  • "All You Need Is a Quarter" – The Swingers
  • "Take a Job" – Hubie and Kay Cram
  • "It's Legitimate" – Hubie, Fatso O'Rear, Brains Berman, Skin Demopoulos and the Loaders
  • "I Know About Love" – John Henry Wheeler
  • "The Auditions" – Marsha, Lou and Gretchen
  • "Cry Like the Wind" – Tilda Mullen
  • "Ambition" – Hubie and Tilda Mullen
  • "Success" – The Tilda Mullen Fans, Tilda Mullen, Hubie, Fatso O'Rear, Brains Berman and Skin Demopoulos
  • "Fireworks" – Tilda Mullen and John Henry Wheeler
  • "What's New at the Zoo" – Tilda Mullen and Animal Girls
  • "Asking for You" – John Henry Wheeler
  • "The Late, Late Show" – Hubie
Act II
  • "Adventure" – Hubie and Kay Cram
  • "Make Someone Happy" – John Henry Wheeler and Tilda Mullen
  • "Don't Be Ashamed of a Teardrop" – Hubie, Fatso O'Rear, Brains Berman and Skin Demopoulos
  • "V.I.P." – The Public and Hubie
  • "All of My Life" – Hubie
  • Finale – Hubie, Kay Cram and Company

Read more about this topic:  Do Re Mi (musical)

Famous quotes containing the word songs:

    “O women, kneeling by your altar-rails long hence,
    When songs I wove for my beloved hide the prayer,
    And smoke from this dead heart drifts through the violet air
    And covers away the smoke of myrrh and frankincense;
    Bend down and pray for all that sin I wove in song....”
    —William Butler Yeats (1865–1939)

    “The militancy of men, through all the centuries, has drenched the world with blood, and for these deeds of horror and destruction men have been rewarded with monuments, with great songs and epics. The militancy of women has harmed no human life save the lives of those who fought the battle of righteousness. Time alone will reveal what reward will be allotted to women.”
    —Emmeline Pankhurst (1858–1928)

    “When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
    —Julius K. Nyerere (b. 1922)