Recording
After six weeks of very little or no work done in the studio (as the band was busy touring), the band got back to work on May 26, 1968, when they first began working on "Do It Again" at Brian's home studio in Bel Air, California. The session, produced by Brian and Carl, first listed the song as being called "Rendezvous". After Brian had run the band through a demonstration of the song, the band began recording the track using guitar, organ, bass and drums, with Mike singing his vocal during the initial takes of the track. At first Mike sings the lyric "and surf again", however this is later amended to "and do it again". After the band recorded the basic track, they overdubbed backing vocals as well as adding a guitar and organ insert and a new guitar solo. Further vocal work by Brian, Carl, Dennis Wilson, Bruce Johnston and Al Jardine was done on the track on June 6 again at Brian's home studio.
Further overdubs to the instrumental track were made at Brian's home studio on June 10. John Guerin playing drums, tambourine and wood blocks on the overdubs, Ernie Small provided saxophone overdubs and John E. Lowe provided woodwind overdubs.
Reportedly, during the mixdown Stephen Desper, the engineer on the album came up with the drum effect heard at the beginning of the track. Many believe that this sound added to the commercial success of the single. Desper explained that he had:
"commissioned Philips, in Holland, to build two tape delay units for use on the road (to double live vocals). moved four of the Philips PB heads very close together so that one drum strike was repeated four times about 10 milliseconds apart, and blended it with the original to give the effect you hear."
On the fade of the song there are some hammering sounds which originated from the Smile workshop session.
Read more about this topic: Do It Again (The Beach Boys Song)
Famous quotes containing the word recording:
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)