Plot
Django (Franco Nero) is a drifter who drags around a closed coffin. He rescues a young woman, María (Loredana Nusciak), from being murdered by bandits led by Major Jackson (Eduardo Fajardo), a man whom Django is seeking revenge on for the murder of his wife.
After killing most of Jackson's men, Django makes a deal with a Mexican bandit general, Hugo Rodriguez (José Bódalo), who is in conflict with Jackson, and the two steal a large quantity of gold from a Mexican Army fort (where Jackson is doing business with a government general). When Rodriguez drags his feet in giving Django his share, he and Maria steal the gold. Unfortunately, the gold falls into quicksand. When Rodriguez catches up to them, María is shot (though she survives) and Django's hands are crushed. Rodríguez and his men are massacred by Jackson and the Mexican Army when the bandits return to Mexico. Jackson then goes looking for Django in a cemetery after killing Nathaniel. However, Django, who has bitten the trigger-guard off his pistol, kills Jackson and his five surviving men by pressing the trigger against a cross (on the grave of a female acquaintance of Django earlier killed by Jackson) and repeatedly dropping the hammer.
Read more about this topic: Django (film)
Famous quotes containing the word plot:
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)