Recording and Instruments
Around the time of Discovery Oldfield had been seen using a Gibson SG Junior and a Les Paul Junior (including a modified 24 fret fretboard), along with a pair of Fender Stratocasters (red and sunburst). Oldfield also used guitar synthesizers on the album, utilising Roland's GR-300 and G-808 controller. The Roland G-88 bass synth controller is heavily used for bass guitar sounds on the album. It is likely that a mandolin made by Scottish-based luthier Mike Vanden is used in "To France". Among the acoustic guitars on the album, an Ovation Adamas was used. Oldfield's main compositional tool for the album was the Fairlight CMI. In addition to using its sequencing abilities he also used it as a sampler, for example with Maggie Reilly's voice on "The Lake".
Barry Palmer and Maggie Reilly did not meet until the album was finished even though they share vocal duties on "Tricks of the Light"; they recorded their vocals separately.
Read more about this topic: Discovery (Mike Oldfield Album)
Famous quotes containing the words recording and/or instruments:
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)