Criticism
Every leading scientific professional organization has through position statements unequivocally endorsed evolution as a widely accepted and well-proven theory. McGill University Professor of Education Brian Alters states in an article published by the NIH that "99.9 percent of scientists accept evolution".
Critics say that the Institute is conducting a deliberate disinformation campaign. One common criticism is that the rhetoric employed by the Institute in its campaigns is intentionally vague and misleading and that the campaigns mask a near total absence of scientific support and productive research programs. The Templeton Foundation, who once provided grants for conferences and courses to debate intelligent design has since rejected the Discovery Institute's entreaties for more funding, Foundation senior vice president Charles L. Harper Jr. said "They're political - that for us is problematic," and that while Discovery has "always claimed to be focused on the science," "what I see is much more focused on public policy, on public persuasion, on educational advocacy and so forth."
In one of a series of articles in Skeptic on the movie Expelled: No Intelligence Allowed, ID critic Ed Brayton noted:
| “ | The intelligent design (ID) movement has long labored to inculcate two mutually exclusive falsehoods in the minds of the public: A) that ID is a purely scientific theory that has nothing to do with religion; and B) that any objection to ID is evidence of bias and discrimination against religion. | ” |
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—Ed Brayton, The Richard Sternberg Affair |
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Read more about this topic: Discovery Institute Intelligent Design Campaigns
Famous quotes containing the word criticism:
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)