Style
The books are written in the style of fast-paced action, and follow a simple and predictable storyline (see below). Most of the creative effort is devoted to highly detailed descriptions of events and technology that are not necessarily mandatory to get the story across. Determination, perseverance and the tendency to overcome hopeless odds are trademarks of the main characters, who, in difficult situations, use humor to further antagonize their opponents or to lift their own spirits. Often, the activities of the main characters are described over action packed consecutive days as they become more determined and more exhausted.
In the later novels Dirk Pitt meets an odd, eccentric individual, sometimes explicitly identified as Clive Cussler, sometimes hinted at ("C.C." or something similar). This cameo appearance by the author is relatively unusual in modern novels. Dragon (1990) is the first novel in which a character identified as Clive Cussler appears. However, in Night Probe! (1981) the character of Prof. Preston Beatty bears a striking resemblance to Cussler. The characters usually cannot remember who the character of Cussler is between his appearances, though they do find him familiar. It is hinted in some novels that the character of cussler is consciously aware of the two having met before. In most cases cussler comes to aid of pitt and frequently giordino as in flood tide where he loaned them a boat
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Famous quotes containing the word style:
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)
“It is not in our drawing-rooms that we should look to judge of the intrinsic worth of any style of dress. The street-car is a truer crucible of its inherent value.”
—Elizabeth Stuart Phelps (1844–1911)