1956 Newport Jazz Festival
There are no known recordings of Ellington playing the piece from March 30, 1953 until the 1956 Newport Jazz Festival. In April 1956, there is evidence it was played in Durham, North Carolina, but no recordings.
At the historic 1956 Newport Festival, Duke told Gonsalves to blow as long as he wanted during the interlude, which Ellington later called "The Wailing Interval" or "Blow By Blow." In what has since become jazz folklore, Gonsalves almost created a riot as he played a tenor sax solo for 27 choruses that stirred up the normally staid crowd into a frenzy. A striking platinum blonde woman in a black evening dress, named Elaine Anderson, jumped from her box seat and started dancing. This helped serve as a catalyst for the crowd frenzy that grew as Gonsalves continued his forceful, energetic solo. In later performances, Gonsalves played as many as 60 choruses.
This song, along with the other performances at the festival by Ellington's band, were released as a live recording which helped revive Ellington's flagging career. Because of poor performance, "The Newport Jazz Festival Suite" and "Jeep's Blues" were rerecorded on July 9, 1956, in Columbia's New York studio. However, on every issue of Ellington at Newport, "Diminuendo and Crescendo in Blue" is from the Newport stage, with varying sound quality.
Read more about this topic: Diminuendo And Crescendo In Blue
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