Literature
Perhaps the most basic way the word dimension is used in literature is as a hyperbolic synonym for feature, attribute, aspect, or magnitude. Frequently the hyperbole is quite literal as in he's so 2-dimensional, meaning that one can see at a glance what he is. This contrasts with 3-dimensional objects, which have an interior that is hidden from view, and a back that can only be seen with further examination.
Science fiction texts often mention the concept of dimension, when really referring to parallel universes, alternate universes, or other planes of existence. This usage is derived from the idea that to travel to parallel/alternate universes/planes of existence one must travel in a direction/dimension besides the standard ones. In effect, the other universes/planes are just a small distance away from our own, but the distance is in a fourth (or higher) spatial (or non-spatial) dimension, not the standard ones.
One of the most heralded science fiction novellas regarding true geometric dimensionality, and often recommended as a starting point for those just starting to investigate such matters, is the 1884 novel Flatland by Edwin A. Abbott. Isaac Asimov, in his foreword to the Signet Classics 1984 edition, described Flatland as "The best introduction one can find into the manner of perceiving dimensions."
The idea of other dimensions was incorporated into many early science fiction stories, appearing prominently, for example, in Miles J. Breuer's The Appendix and the Spectacles (1928) and Murray Leinster's The Fifth-Dimension Catapult (1931); and appeared irregularly in science fiction by the 1940s. Some of the classic stories involving other dimensions include Robert A. Heinlein's 1941 —And He Built a Crooked House, in which a California architect designs a house based on a three-dimensional projection of a tesseract, and Alan E. Nourse's Tiger by the Tail and The Universe Between, both from 1951. Another reference is Madeleine L'Engle's novel A Wrinkle In Time (1962), which uses the 5th Dimension as a way for "tesseracting the universe" or in a better sense, "folding" space in half to move across it quickly. The fourth and fifth dimensions were also a key component of the book The Boy Who Reversed Himself, by William Sleator.
Read more about this topic: Dimension (mathematics And Physics)
Famous quotes containing the word literature:
“Our leading men are not of much account and never have been, but the average of the people is immense, beyond all history. Sometimes I think in all departments, literature and art included, that will be the way our superiority will exhibit itself. We will not have great individuals or great leaders, but a great average bulk, unprecedentedly great.”
—Walt Whitman (1819–1892)
“Life’s so ordinary that literature has to deal with the exceptional. Exceptional talent, power, social position, wealth.... Drama begins where there’s freedom of choice. And freedom of choice begins when social or psychological conditions are exceptional. That’s why the inhabitants of imaginative literature have always been recruited from the pages of Who’s Who.”
—Aldous Huxley (1894–1963)
“One thing that literature would be greatly the better for
Would be a more restricted employment by authors of simile and
metaphor.”
—Ogden Nash (1902–1971)