History
In ancient times the Danube river was a border between the Roman empire and the Germanic tribes north of the river. The Roman camp of Phoebiana (now Faimingen) was a bridgehead crossing the danube. There was an Apollo temple being one of the largest buildings north of the Alps in that time.
In medieval times the county of Dillingen was established. The counts of Dillingen ruled from the 10th to the 13th century, then (1258) the territory was turned over to the Prince Bishops of Augsburg, who gained several villages for their clerical state, hence subdividing the region into several patches, which were dissolved in the early 19th century. In 1804 Dillingen and its area became part of the state of Bavaria.
The district was established in 1972 by merging the former district of Dillingen (which had existed since 1804) with the western half of the former district of Wertingen. The city of Dillingen lost its status as a district-free city and became the capital of the newly established district.
Read more about this topic: Dillingen (district)
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“The second day of July 1776, will be the most memorable epoch in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated, as the day of deliverance, by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires and illuminations, from one end of this continent to the other, from this time forward forever more”
—John Adams (17351826)
“We dont know when our name came into being or how some distant ancestor acquired it. We dont understand our name at all, we dont know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.”
—Milan Kundera (b. 1929)
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)