Film
The film "Spirit of Tibet: Journey to Enlightenment, The Life and World of Dilgo Khyentse Rinpoche" was released in 1998. It was made by Matthieu Ricard (French photographer, Buddhist monk, and author) who had travelled with Khyentse Rinpoche for 14 years. It tells Khyentse Rinpoche's story from birth to death, to rebirth, and of his escape following China's invasion of Tibet to his determination to preserve and transmit Buddhist teachings far and wide. The film reveals Tibet's art, ritual philosophy, and sacred dance. Along with rarely photographed areas of Tibet, Bhutan and Nepal, this film features interviews with the Dalai Lama, who speaks about his own spiritual life.
Another film was "Brilliant Moon: Glimpses of Dilgo Khyentse Rinpoche", written and directed by Neten Chokling, and narrated by Richard Gere and Lou Reed. Brilliant Moon uses animation, previously unseen archival footage and photos along with new interviews of Tibet's great teachers, to tell Khyentse Rinpoche's life story, from birth to death to rebirth.
Read more about this topic: Dilgo Khyentse
Famous quotes containing the word film:
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)