Production
The film is notable for having unusually long takes during the musical scenes, most notably during the Mohabbat Dil Ka Sakoon and Dil Hai Tumhaara sequences. A number of the musical sequences were also used to advance the plot forward, instead of simply being enjoyable interludes.
This is the second film where Preity Zinta and Kundan Shah worked together, the first being Kya Kehna.
Read more about this topic: Dil Hai Tumhaara
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“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
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“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)