Production
The movie is partially based on writer-director Farhan Akhtar's diaries on his trips to Goa, his 1996 month-and-a-half long stay at New York, and a storyline narrated to him by a friend. Farhan Akhtar began work on the film's script in 1998; the relationship of the characters Akash and Shalini was based on a similar experience of one of Akhtar's friends. Other parts of the film were adapted from Shakespeare's Much Ado About Nothing. Aamir Khan was initially offered the role of Sid, but he elected to play the role of Akash, for which he grew a soul patch. Abhishek Bachchan was also offered the role of Sid in the film. After he turned it down, Akshaye Khanna accepted the part. Akhtar convinced actress Dimple Kapadia to come out of retirement to play the role of divorcée Tara Jaiswal. After 15 months of extensive pre-production, the film was shot over a four month period in Mumbai and Sydney, Australia.
The film's style extended to the music and its picturisation in the movie. One song sequence recapitulates, and to some extent, parodies Bollywood song-and-dance history. Other songs drop the usual dance accompaniment — one song depicts an argument between two protagonists through the song's lyrics, another establishes the character's state of mind through a moody photo collage, while yet another imagines the beautiful and idealised world of an artist in love through a song inside a painting. There is also an extended opera sequence at the Sydney Opera House, which was exclusively commissioned for the film.
Read more about this topic: Dil Chahta Hai
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)