Portrayals in Popular Culture
A fictionalized, female version of Eckart (Dietlinde Eckhart) appeared as the main villain and head of the Thule Society in the 2005 anime movie Fullmetal Alchemist the Movie: Conqueror of Shamballa.
In part 4, Phase 1 of the 2000AD story Zenith by Grant Morrison and Steve Yeowell Eckardt is referred to and depicted as the poet and mystic who initiated a German army corporal (Adolf Hitler) into the occult group called the Cult of the Black Sun after recognizing his potential as a medium. Eckardt and Haushofer put Hitler in contact with the Great Old Ones with their goal of helping the Nazis engineer superhuman bodies that could act as physical vehicles for these Dark Gods.
Read more about this topic: Dietrich Eckart
Famous quotes containing the words portrayals, popular and/or culture:
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)