The 1990s
Lu began taking note that the mainstream success of Freestyle was coming to an end in late 1990 due to the dominance of the new breed of House music coming from NYC and Italy. There was also a brief fling that major labels had with Miami Bass in 1989, but by 1990, all the majors had left town, leaving Bass Music to the local independent labels to buy and sell amongst themselves. Seeing his chance for fame and fortune slipping away, he turned his efforts to engineering music for the Miami area major studio as a way to support his family. In spite of this, Hugo was not so quick to quit the Hip-Hop game, and took control by utilizing Lu's Akai MPC-60 sampler.
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