Diatonic Button Accordion - Distribution of Notes On The Keyboard and Range

Distribution of Notes On The Keyboard and Range

Because each button produces two notes, the diatonic scale can be covered in four buttons on a melody row.

For example, on a melody row pitched in C, the notes of the lower full octave of the instrument’s range are assigned to four buttons as follows:

First octave
Button Push Pull
1 C D
2 E F
3 G A
4 C' B

Note: the first button in the example above, numbered 1, is likely to be the 3rd or 4th button in a row on an instrument.

When the bellows are pressed, every button produces a note from the major triad of the home key; in this case, the pattern CEG repeats itself throughout the keyboard. The remaining notes of the diatonic scale are produced when the bellows are drawn or pulled.

Since there are seven notes in the diatonic scale, and since each button produces two notes, the note pairings on the buttons change in each octave. In the second full octave of the instrument’s range, E is paired with D (instead of with F in the first octave), and so on.

Second octave
Button Push Pull
5 E' D'
6 G' F'
7 C' ' A'
8 E' ' B'

Because the range of each row is typically restricted to two complete octaves (with a few notes above and below), the inconsistent note pairing from one octave to the next remains manageable.

For detailed diagrams of typical note layouts on various types of diatonic button accordion, see melodeon.net

Read more about this topic:  Diatonic Button Accordion

Famous quotes containing the words distribution of, distribution, notes and/or range:

    The man who pretends that the distribution of income in this country reflects the distribution of ability or character is an ignoramus. The man who says that it could by any possible political device be made to do so is an unpractical visionary. But the man who says that it ought to do so is something worse than an ignoramous and more disastrous than a visionary: he is, in the profoundest Scriptural sense of the word, a fool.
    George Bernard Shaw (1856–1950)

    Classical and romantic: private language of a family quarrel, a dead dispute over the distribution of emphasis between man and nature.
    Cyril Connolly (1903–1974)

    ‘Tis the gift to be simple ‘tis the gift to be free
    ‘Tis the gift to come down where you ought to be
    And when we find ourselves in the place just right
    ‘Twill be in the valley of love and delight.
    —Unknown. ‘Tis the Gift to Be Simple.

    AH. American Hymns Old and New, Vols. I–II. Vol. I, with music; Vol. II, notes on the hymns and biographies of the authors and composers. Albert Christ-Janer, Charles W. Hughes, and Carleton Sprague Smith, eds. (1980)

    For generations, a wide range of shooting in Northern Ireland has provided all sections of the population with a pastime which ... has occupied a great deal of leisure time. Unlike many other countries, the outstanding characteristic of the sport has been that it was not confined to any one class.
    —Northern Irish Tourist Board. quoted in New Statesman (London, Aug. 29, 1969)