Cover Imagery
Dianetics uses the image of an exploding volcano, both on the covers of post-1967 editions, and in advertising. A giant billboard built in Sydney, Australia, measured 33 m (100 ft) wide and 10 m (30 ft) high and depicted an erupting volcano with "non-toxic smoke." Hubbard told his marketing staff that this imagery would make the books irresistible to purchasers by reactivating unconscious memories. According to Hubbard, the volcano recalls the incident in which galactic overlord Xenu placed billions of his people around Earth's volcanoes and killed them there by blowing them up with hydrogen bombs. A representative of the Church of Scientology has confirmed in court that the Dianetics volcano is indeed linked with the "catastrophe" wrought by Xenu.
Bent Corydon, a former Scientology mission holder, recounted that
A special "Book Mission" was sent out to promote these books, now empowered and made irresistible by the addition of these supposedly overwhelming symbols or images. Organization staff were assured that if they simply held up one of the books, revealing its cover, that any bookstore owner would immediately order crateloads of them. A customs officer, seeing any of the book covers in one's luggage, would immediately pass one on through.The script for the unmade film Revolt in the Stars written by L. Ron Hubbard reads:
... Atomic blasts ballooned from the craters of Loa, Vesuvius, Shasta, Washington, Fujiyama, Etna and many, many others. Arching higher and higher, up and outwards, towering clouds mushroomed, shot through with flashes of flame, waste and fission. Great winds raced simultaneously across the face of the Earth, spreading tales of destruction.Read more about this topic: Dianetics: The Modern Science Of Mental Health
Famous quotes containing the words cover and/or imagery:
“Between us, we cover all knowledge; he knows all that can be known and I know the rest.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)