Style
Dr. Balmori's interest in landscape and urban design grew out of her interest in public space; the way it is used and designed, and its role and effect on the larger environment. Her design style is recognized by the way it creates a fluid interface between landscape and structure in the development of urban public spaces. The work explores how form can respond to a new understanding of nature – not simply as visual imitation – but contingent on an understanding of process. Diana Balmori has established a signature and functional aesthetic by applying inventive design thinking to a careful study of the social aspects of ecological, hydrological and temporal dimensions of projects.
She is also an innovator in sustainable systems; one aspect of this is in the area of green roofs. This “fifth façade”, as Balmori has called the huge expanse of urban rooftops, is now a frontier for designers and architects. By exploring this fifth façade, it becomes possible to change not only how a building looks, but also how it functions; green roofs offer an alternative future in the evolution of the urban landscape and can alleviate urban air pollution, heat island effects and the handling of stormwater.
Diana Balmori frequently collaborates with artists and architects.
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Famous quotes containing the word style:
“The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.”
—Edward Gibbon (1737–1794)
“Carlyle must undoubtedly plead guilty to the charge of mannerism. He not only has his vein, but his peculiar manner of working it. He has a style which can be imitated, and sometimes is an imitator of himself.”
—Henry David Thoreau (1817–1862)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)