Dialogue Between a Priest and a Dying Man (original French: Dialogue entre un prêtre et un moribond) is a dialogue written by the Marquis de Sade while incarcerated at Château de Vincennes in 1782, expressing his atheism by having a dying man (a libertine) tell a priest about what he views as the mistakes of a pious life. It is one of the earliest known written works from de Sade to be dated with certainty, and was first published in 1926 together with an edition of Historiettes, Contes et Fabliaux (written originally in 1788). It was subsequently published in English in 1927 by Pascal Covici in a limited, hand-numbered edition of 650 copies.
The dialogue inspired a similar scene in Luis Buñuel's film Nazarín (1959), wherein a dying woman wards off a priest while on her deathbed. Buñuel has previously adapted The 120 Days of Sodom into a scene in his earlier L'Age d'Or (1930) and would go on to feature the Marquis himself as a character in La Voie Lactée (1969).
Famous quotes containing the words dialogue, priest, dying and/or man:
“You hear a lot of dialogue on the death of the American family. Families aren’t dying. They’re merging into big conglomerates.”
—Erma Bombeck (b. 1927)
“This is the priest all shaven and shorn
That married the man all tattered and torn”
—Mother Goose (fl. 17th–18th century. The House That Jack Built (l. 37–38)
“A set of ideas, a point of view, a frame of reference is in space only an intersection, the state of affairs at some given moment in the consciousness of one man or many men, but in time it has evolving form, virtually organic extension. In time ideas can be thought of as sprouting, growing, maturing, bringing forth seed and dying like plants.”
—John Dos Passos (1896–1970)
“It hurts me to hear the tone in which the poor are condemned as “shiftless,” or “having a pauper spirit,” just as it would if a crowd mocked at a child for its weakness, or laughed at a lame man because he could not run, or a blind man because he stumbled.”
—Albion Fellows Bacon (1865–1933)