Plot
Inspired by low-budget sci-fi films, comic books, and fantasy pulp fiction of the 1950s, Diabolical Tales: Part I - Genesis of the Men From Within The Earth, is set in November 1952 just days after the first secret tests of the H-bomb. Rookie FBI Agent Cooper and his partner Agent Thompson are on a stakeout when they encounter a mysterious man dressed in a black cloak. Minutes later, Agent Thompson has been vaporized by the villain's "electro-incinerator" and Agent Cooper has been stunned unconscious. He is teamed up with a cryptic US government agent known only as Operative-132 who works for the newly formed National Security Agency. Together they set out to put the stops on the evil Zong, a saboteur who hails from an ancient, hidden underground empire called Agartha.
Diabolical Tales: Part II is set in December 1954, two years after the events of Diabolical Tales: Part I. A group of evil hench-women, led by the partially deaf arch-villain Zerg (Sparky Schneider), are sent up from their underground fiefdom to capture the Sapphire of Agartha, a mystical relic that was stolen and handed over to heroes Agent Cooper (Brian Bedell) and Operative-132 (Mike Larose).
Diabolical Tales: Part III is set in July 1955, and picks up with Agent Cooper as his wife Kate (Rachel Knutton) is kidnapped. Meanwhile, the evil men from within the earth, this time led by the cunning and maniacal Zerrath (Brian Van Kay), launch a two-pronged attack against the 'surface-dwellers' in an effort to retrieve the still-missing Sapphire of Agartha and conquer the world. The events that unfold will solidfy Agent Cooper's destiny.
Read more about this topic: Diabolical Tales
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)