Place in The Hindu Canon
Devi Māhātmyam has been called the Testament of Shakta philosophy It is the base and root of Shakta doctrine. It appears as the centre of the great Shakti cult.
Here, for the first time, "the various mythic, cultic and theological elements relating to diverse female divinities were brought together in what has been called the 'crystallization of the Goddess tradition."
The unique feature of Devi Māhātmyam is the oral tradition. Though it is part of the devotional tradition, it is in the rites of the Hindus that it plays an important role. The entire text is considered as one single Mantra and a collection of 700 Mantras.
The Devi Māhātmyam is treated in the cultic context as if it were a Vedic hymn or verse with sage(ṛṣi), meter, pradhnadevata, and viniyoga (for japa). It has been approached, both by Hindus and Western scholars, as scripture in and by itself, where its significance is intrinsic, not derived from its Puranic context.
According to Damara Tantra "Like Aswamedha in Yagnas, Hari in Devas, Sapthsati is in hymns." "Like the Vedas; Saptasati is eternal" says Bhuvaneshwari Samhita.
There are many commentaries on Devi Māhātmya.
- Guptavati by Bhaskararaya
- Nagesi by Nagoji Bhat
- Santhanavi
- Puspanjali
- Ramashrami
- Dhamsoddharam
- Durgapradeepam are some of them.
The significance of Devi Māhātmya has been explained in many Tantric and Puranic texts like Katyayani Tantra, Gataka Tantra, Krodha Tantra, Meru Tantram, Marisa Kalpam, Rudra Yamala, and Chidambara Rahasya. A number of studies of Shaktism appreciate the seminal role of Devi Māhātmya in the development of the Shakta tradition.
Read more about this topic: Devi Mahatmya
Famous quotes containing the words place in, place and/or canon:
“History counts its skeletons in round numbers.
A thousand and one remains a thousand,
as though the one had never existed:
an imaginary embryo, an empty cradle,
...
emptiness running down steps toward the garden,
nobodys place in line.”
—Wislawa Szymborska (b. 1923)
“I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamor, without glory, without the great desire of victory, without the great desire of defeat, in a sickly atmosphere of tepid skepticism, without much belief in your own right, and still less in that of your adversary.”
—Joseph Conrad (18571924)
“O! that this too too solid flesh would melt,
Thaw and resolve itself into a dew;
Or that the Everlasting had not fixd
His canon gainst self-slaughter! O God! O God!
How weary, stale, flat, and unprofitable
Seem to me all the uses of this world.
Fie ont! O fie! tis an unweeded garden,
That grows to seed;”
—William Shakespeare (15641616)