Destry Rides Again - Plot

Plot

Saloon owner Kent (Brian Donlevy), the unscrupulous boss of the fictional Western town of Bottleneck, has the town's Sheriff, Keogh, killed when the Sheriff asks one too many questions about a rigged poker game. Kent and "Frenchy" (Marlene Dietrich), his girlfriend and the dance hall queen, now have a stranglehold over the local cattle ranchers. The crooked town's mayor, Hiram J. Slade (Samuel S. Hinds), who is in collusion with Kent, appoints the town drunk, Washington Dimsdale (Charles Winninger), as the new sheriff, assuming that he'll be easy to control and manipulate. But what the mayor doesn't know is that Dimsdale was a deputy under the famous lawman, Tom Destry and is able to call upon the equally formidable Tom Destry, Jr. (James Stewart) to help him make Bottleneck a lawful, respectable town.

Destry confounds the townsfolk by refusing to strap on a gun in spite of demonstrating that he is an expert marksman. He still carries out the "letter of the law", as deputy Sheriff, and wins over their respect. A final confrontation between Destry and Kent's gang is inevitable, but "Frenchy" is won over by Destry and changes sides. A final gunfight ensues where Frenchy is killed in the crossfire, and the rule of law wins the day.

Read more about this topic:  Destry Rides Again

Famous quotes containing the word plot:

    Those blessed structures, plot and rhyme—
    why are they no help to me now
    I want to make
    something imagined, not recalled?
    Robert Lowell (1917–1977)

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)

    If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.
    John Ashbery (b. 1927)