Books
Brown has written four books on magic: Absolute Magic, Pure Effect, Tricks of the Mind, and Confessions of a Conjuror. The first two books he penned are intended solely for practitioners of magic and mentalism, whilst his books Tricks of the Mind and Confessions of a Conjuror are aimed at the general public.
Absolute Magic, subtitled A Model for Powerful Close-Up Performance, is not so much about magical methodology as about how magicians can make their performances magical; it is written in a variety of styles: sometimes humorous, sometimes serious. He warns against an act that conveys the feeling of "Here are some tricks I've bought" and urges magicians to make their performances experiential and memorable by involving the audience. In some respects a lot of what he says is evocative of the content of Darwin Ortiz's Strong Magic but his book expresses it in the context of his experiences, performance style and theories of how performance should be. (Out of print)
Pure Effect is a more traditional book of trickery and technique and offers an insight into some of the methods that Brown employs, and offers a starting point for development for the reader's own use. (Out of print)
Tricks of the Mind is Brown's first book intended for the general public. It is a wide-ranging book in which Brown reveals some of the techniques he uses in his performances, delves into the structure and psychology of magic and discusses hypnosis. He also applies his insight to the paranormal industry, looking at the structure of beliefs and how psychology can explain why people become 'true believers'. He also offers autobiographical stories about his own experiences as a former Christian, and discusses his scepticism about religion, allegedly 'psychic' mediums and sundry other belief systems.
Confessions of a Conjuror was published by Channel 4 Books in October 2010. (ISBN 978-1-905-02657-9)
Read more about this topic: Derren Brown
Famous quotes containing the word books:
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“New eyes each year
Find old books here,
And new books, too,
Old eyes renew....”
—Philip Larkin (19221986)
“Avoid all kinds of pleasantry and facetiousness in thy discourse with her, and ... suffer her not to look into Rabelais, or Scarron, or Don Quixote
MThey are all books which excite laughter; and ... there is no passion so serious, as lust.”
—Laurence Sterne (17131768)