Der Rosenkavalier - Language

Language

Hofmannsthal's libretto is a combination of different forms of the German language. Members of the nobility speak in very refined language, often archaic (set to the time of the opera) and very courteous. In more intimate circles they use a more familiar style of speech (du). For instance, the conversations between Octavian and the Marschallin in the first act use the familiar "you" but switch back and forth between more formal speech (Sie) and the familiar "du".

The language used by Baron Ochs is flamboyant at best and, although refined, makes use of non-German words such as his expression Corpo di Bacco ("Bacchus' Body"). Some programmes even have a glossary section. The language used by Octavian when impersonating "Mariandel", and by other non-noble characters, is basically Austrian dialect, impossible to understand by a non-German speaker. The German used by the Italians, Valzacchi and Annina, is also very broken and mixed with an Italian accent, something planned by the authors for these characters.

In English translations of the opera, these dialects have been accounted for with varying degrees of rigor; the Chandos highlights version, for example, uses only standard British English.

Read more about this topic:  Der Rosenkavalier

Famous quotes containing the word language:

    “Whether we regard the Women’s Liberation movement as a serious threat, a passing convulsion, or a fashionable idiocy, it is a movement that mounts an attack on practically everything that women value today and introduces the language and sentiments of political confrontation into the area of personal relationships.”
    —Arianna Stassinopoulos (b. 1950)

    “It is impossible to dissociate language from science or science from language, because every natural science always involves three things: the sequence of phenomena on which the science is based; the abstract concepts which call these phenomena to mind; and the words in which the concepts are expressed. To call forth a concept, a word is needed; to portray a phenomenon, a concept is needed. All three mirror one and the same reality.”
    —Antoine Lavoisier (1743–1794)

    “I am both a public and a private school boy myself, having always changed schools just as the class in English in the new school was taking up Silas Marner, with the result that it was the only book in the English language that I knew until I was eighteen—but, boy, did I know Silas Marner!”
    —Robert Benchley (1889–1945)