Der Rosenkavalier - Language

Language

Hofmannsthal's libretto is a combination of different forms of the German language. Members of the nobility speak in very refined language, often archaic (set to the time of the opera) and very courteous. In more intimate circles they use a more familiar style of speech (du). For instance, the conversations between Octavian and the Marschallin in the first act use the familiar "you" but switch back and forth between more formal speech (Sie) and the familiar "du".

The language used by Baron Ochs is flamboyant at best and, although refined, makes use of non-German words such as his expression Corpo di Bacco ("Bacchus' Body"). Some programmes even have a glossary section. The language used by Octavian when impersonating "Mariandel", and by other non-noble characters, is basically Austrian dialect, impossible to understand by a non-German speaker. The German used by the Italians, Valzacchi and Annina, is also very broken and mixed with an Italian accent, something planned by the authors for these characters.

In English translations of the opera, these dialects have been accounted for with varying degrees of rigor; the Chandos highlights version, for example, uses only standard British English.

Read more about this topic:  Der Rosenkavalier

Famous quotes containing the word language:

    “Sarcasm I now see to be, in general, the language of the Devil; for which reason I have long since as good as renounced it.”
    —Thomas Carlyle (1795–1881)

    “The reader uses his eyes as well as or instead of his ears and is in every way encouraged to take a more abstract view of the language he sees. The written or printed sentence lends itself to structural analysis as the spoken does not because the reader’s eye can play back and forth over the words, giving him time to divide the sentence into visually appreciated parts and to reflect on the grammatical function.”
    —J. David Bolter (b. 1951)

    “English general and singular terms, identity, quantification, and the whole bag of ontological tricks may be correlated with elements of the native language in any of various mutually incompatible ways, each compatible with all possible linguistic data, and none preferable to another save as favored by a rationalization of the native language that is simple and natural to us.”
    —Willard Van Orman Quine (b. 1908)