Der Rosenkavalier - Language

Language

Hofmannsthal's libretto is a combination of different forms of the German language. Members of the nobility speak in very refined language, often archaic (set to the time of the opera) and very courteous. In more intimate circles they use a more familiar style of speech (du). For instance, the conversations between Octavian and the Marschallin in the first act use the familiar "you" but switch back and forth between more formal speech (Sie) and the familiar "du".

The language used by Baron Ochs is flamboyant at best and, although refined, makes use of non-German words such as his expression Corpo di Bacco ("Bacchus' Body"). Some programmes even have a glossary section. The language used by Octavian when impersonating "Mariandel", and by other non-noble characters, is basically Austrian dialect, impossible to understand by a non-German speaker. The German used by the Italians, Valzacchi and Annina, is also very broken and mixed with an Italian accent, something planned by the authors for these characters.

In English translations of the opera, these dialects have been accounted for with varying degrees of rigor; the Chandos highlights version, for example, uses only standard British English.

Read more about this topic:  Der Rosenkavalier

Famous quotes containing the word language:

    To write or even speak English is not a science but an art. There are no reliable words.... Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.
    George Orwell (1903–1950)

    The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power, or those who still believe that language is “only words” and that an old language is good enough for our descriptions of the world we are trying to transform.
    Adrienne Rich (b. 1929)

    One who speaks a foreign language just a little takes more pleasure in it than one who speaks it well. Enjoyment belongs to those who know things halfway.
    Friedrich Nietzsche (1844–1900)