Career
In 1963, he joined the National Film Board of Canada where he produced several award-winning documentaries in his native French language. A social activist, he made a feature-length documentary in 1970 titled On est au coton (We work in Cotton) that showed the exploitation of textile workers. The film caused an uproar that resulted in it not being distributed publicly for several years. Arcand received such publicity that it gave his fledgling career a great boost. He also worked on some television series, notably Duplessis, a historical work he wrote (but did not direct) about Premier Maurice Duplessis.
During the early part of the 1970s Arcand produced a number of feature films that received critical acclaim. Arcand returned to directing documentaries and did no work for television. In 1982, his documentary, Le confort et l'indifférence won the Best Film prize from the Quebec Film Critics' Association. In 1986 he wrote and directed what was until then the highest grossing film in Quebec (and Canadian) history, The Decline of the American Empire (Le Déclin de l'empire américain). At the Canadian Genie Awards, it captured best film, best director, and best writer of an original screenplay. It also won the "International Critics Prize" at the Cannes Film Festival and became the first Canadian feature film nominated for an Academy Award for Best Foreign Language Film. Three years later Arcand repeated this award-garnering performance with his widely acclaimed 1989 film Jésus de Montréal (Jesus of Montreal) winning the same three Genie awards, plus the "Jury Prize" at Cannes. The movie earned him a second Academy Award nomination, becoming the first Canadian director to accomplish this achievement.
Arcand produced and directed his first English language film in 1993, titled Love and Human Remains, and did so again in 2000, with the film, Stardom, which opened the Toronto International Film Festival. He then spent two years writing the script for what many claim is his finest piece of cinematic writing to date, The Barbarian Invasions (Les invasions barbares). Released in 2003, the film won Arcand the Best Screenplay Award at the Cannes Film Festival, was nominated for a Golden Globe Award as Best Foreign Language Film and won the Academy Award for Best Foreign Language Film. In addition, Denys Arcand was nominated for an Academy Award for Writing Original Screenplay.
The Barbarian Invasions won France's 2004 César Award for Best Picture and Best Director plus the César Award for Best Original Screenplay.
Arcand's film Days of Darkness (L'âge des ténèbres) was chosen to close the 2007 Cannes Film Festival. The press opening was subdued, as opposed to receiving a standing ovation as with The Barbarian Invasions and the subsequent reviews were mixed.
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