History
In order to commemorate the 30th anniversary of the Soviet victory in the WWII, the Soviet government announced a competition for the best song about the war. In March 1975, poet Vladimir Kharitonov, who had taken part in the war, approached his traditional co-author, the young composer David Tukhmanov with a proposal to write a new song for the occasion. This effort was to differ strikingly from their previous collaborations, which had been disco-influenced chartbusters. Several days before the deadline, Kharitonov brought his lyrics to Tukhmanov and the latter composed a song just in time to be recorded by his wife and to be submitted to the jury.
However, the jury, composed primarily of elderly songwriters whose tastes had been formed during Stalin's era, was exceedingly displeased with the result. The lyrics appeared to them lightsome and frivolous, while the melody was alleged to abuse the "rhythms of tango and foxtrot", two "bourgeois" dances which had been banned in the Soviet Union.
Although the performance of the song was strongly discouraged, Lev Leshchenko, one of the most popular Soviet singers, dared to premiere it during his concert in Alma-Ata in late April. Then the song was performed in the Little Blue Light TV show on 9 May by another singer (Leonid Smetannikov)), but his interpretation was rather lackluster and failed to attract attention. Thereupon the song was not performed until 10 November when Leshchenko revived it for a grand concert (and live in Soviet television) in the Kremlin Palace of Congresses on the Militsiya Day. His performance astounded the censors but proved to be a runaway success with the audience, who clamored for an encore.
Since then, the song has been invariably performed during every Victory Day celebrations in the Soviet Union and Russia, often concluding a program of festivities, with the last stanza drowned in sounds of fireworks over the Red Square. According to Komsomolskaya Pravda, the Soviet leader Leonid Brezhnev liked this song greatly, especially when performed by Joseph Kobzon, and predicted to Kharitonov that "folks would sing this tune for many years after you and I are gone".
Brezhnev's expectation did not fail to materialize, in part because, as the American researcher David MacFadyen explains, "this powerful song draws not upon the bravery of youthful soldiers but the private memories of ageing, greying veterans. Its poignant combination of joy at a stunning victory and sadness at great loss sounds just as relevant today, when the war itself is something about which many young Russians neither know nor care".
Read more about this topic: Den Pobedy
Famous quotes containing the word history:
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)