Release and Critical Reception
"Demons" was released on CD, cassette and 7" on 17 November 1997 and reached number 27 on the UK Singles Chart. The cover art is the last in a series of five Pete Fowler paintings commissioned by the band for Radiator and its singles. Fowler's art was inspired by "Demons" and depicts "the unholy tribes of the undead" according to Record Collector. The packaging of the single features the Welsh language quote "Esmwyth! Esmwyth! Dim blewyn o'i le!", which roughly translates into English as "Smooth! Smooth! Not a hair out of place!". It is the last single by the group to contain such a quote, bringing to an end a practise that started with their debut single "Hometown Unicorn". The track was included on the band's 'greatest hits' compilation album Songbook: The Singles, Vol. 1, issued in 2004.
- Accolades
| Publication | Country | Accolade | Year | Rank |
|---|---|---|---|---|
| Hot Press | Ireland | Singles of the year 1997 | 1997 | 30 |
| Q | United Kingdom | 1010 Songs You Must Own!: Indie - Singles | 2004 | * |
Read more about this topic: Demons (Super Furry Animals Song)
Famous quotes containing the words release and, release, critical and/or reception:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“An inquiry about the attitude towards the release of so-called political prisoners. I should be very sorry to see the United States holding anyone in confinement on account of any opinion that that person might hold. It is a fundamental tenet of our institutions that people have a right to believe what they want to believe and hold such opinions as they want to hold without having to answer to anyone for their private opinion.”
—Calvin Coolidge (1872–1933)
“The critical method which denies literary modernity would appear—and even, in certain respects, would be—the most modern of critical movements.”
—Paul Deman (1919–1983)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)