Demon Days - Reception

Reception

Professional ratings
Aggregate scores
Source Rating
Metacritic 82/100
Review scores
Source Rating
Allmusic
Entertainment Weekly B
BBC Music favourable
Drowned In Sound 7/10
Entertainment.ie
The Guardian
NME 8/10
The Observer
Pitchfork Media 6.9/10.0
PopMatters 9/10
Q
Robert Christgau
Rolling Stone
Sputnikmusic 4.0/5
Stylus Magazine B+

The album received very positive reviews from most music critics.

  • Spin (p. 64) – Ranked #4 in Spin's "40 Best Albums of 2005" – " vivid, spastic concept album about the last primates to survive the apocalypse"
  • Spin (p. 105) – "Albarn still has great taste in other people's music. His new accomplice, copyright pirate Danger Mouse, fills in suggestively dubby spaces with choirs, staggering synths, and MCs ranging from De La Soul to Roots Manuva to MF Doom." – Grade: B
  • Entertainment Weekly (No. 821/822, p. 136) – " follow-up is spookier, blippier, and more on edge." – Grade: B
  • Uncut (p. 106) – 4 stars out of 5 – "Dazzlingly clever – great beats, brilliant production, top tunes and some of Albarn's best singing."
  • CMJ (No. 914, p. 4) – "...an immensely absorbable experience with plenty of rhymes and funked-out marching beats to bite into."
  • Vibe (p. 143) – "s original – and just as much fun – as the first."
  • Mojo (p. 18) – Ranked #18 in Mojo's "The 50 Best Albums Of 2005" – " genre-busting, contemporary pop milestone."

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Famous quotes containing the word reception:

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)