Reception
| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | 82/100 |
| Review scores | |
| Source | Rating |
| Allmusic | |
| Entertainment Weekly | B |
| BBC Music | favourable |
| Drowned In Sound | 7/10 |
| Entertainment.ie | |
| The Guardian | |
| NME | 8/10 |
| The Observer | |
| Pitchfork Media | 6.9/10.0 |
| PopMatters | 9/10 |
| Q | |
| Robert Christgau | |
| Rolling Stone | |
| Sputnikmusic | 4.0/5 |
| Stylus Magazine | B+ |
The album received very positive reviews from most music critics.
- Spin (p. 64) – Ranked #4 in Spin's "40 Best Albums of 2005" – " vivid, spastic concept album about the last primates to survive the apocalypse"
- Spin (p. 105) – "Albarn still has great taste in other people's music. His new accomplice, copyright pirate Danger Mouse, fills in suggestively dubby spaces with choirs, staggering synths, and MCs ranging from De La Soul to Roots Manuva to MF Doom." – Grade: B
- Entertainment Weekly (No. 821/822, p. 136) – " follow-up is spookier, blippier, and more on edge." – Grade: B
- Uncut (p. 106) – 4 stars out of 5 – "Dazzlingly clever – great beats, brilliant production, top tunes and some of Albarn's best singing."
- CMJ (No. 914, p. 4) – "...an immensely absorbable experience with plenty of rhymes and funked-out marching beats to bite into."
- Vibe (p. 143) – "s original – and just as much fun – as the first."
- Mojo (p. 18) – Ranked #18 in Mojo's "The 50 Best Albums Of 2005" – " genre-busting, contemporary pop milestone."
Read more about this topic: Demon Days
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)