Degree (music) - Major and Minor Scales

Major and Minor Scales

Degree Name Meaning
1st Tonic Tonal center, note of final resolution
2nd Supertonic One step above the tonic
3rd Mediant Midway between tonic and dominant
4th Subdominant Lower dominant
5th Dominant 2nd in importance to the tonic
6th Submediant Lower mediant, halfway between tonic and subdominant
7th Leading tone Melodically strong affinity for and leads to tonic
8th Subtonic One whole step below tonic

The degrees of the traditional major and minor scales may be identified several ways:

  • the first, second, (major or minor) third, fourth, fifth, sixth, and seventh degrees of the scale;
  • by Arabic numerals (1, 2, 3, 4 ...), sometimes with carets above them ;
  • by Roman numerals (I, II, III, IV ...); and
  • in English, by the names and function: tonic, supertonic, mediant, subdominant, dominant, submediant, leading note (leading tone in the United States) and tonic again.
These names are derived from a scheme where the tonic note is the 'center'. Supertonic and subtonic are, respectively, one step above and one step below the tonic; mediant and submediant are each a third above and below the tonic, and dominant and subdominant are a fifth above and below the tonic.
Subtonic is used when the interval between it and the tonic in the upper octave is a whole step; leading note when that interval is a half step.
  • in English, by the "moveable Do" Solfege system, which allows a person to name each scale degree with a single syllable while singing.

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